Les films ticsas sex
Les films ticsas sex
The international reputation of the film, however, remained untarnished, with the movie picking up several Academy Award nominations and winning the Golden Lion at Venice Film Festival.
Throw in scenes of killing snakes, pulling a rope tow auto barge across the Rio Grande by hand, cock fights, and picking grapefruit, and it’s clear Blank has documented a snapshot of rural Texas few outside of the ones living it will ever see.
The legendary documentarian Les Blank shot them forty years ago, preserving a piece of our state’s music history.
His intimate portaits of bluesmen Lightin’ Hopkins and Mance Lipscomb—as well as Tejano legend Lydia Mendoza and Flaco and Santiago Jimenez—capture the joy and spontaneity of making music. People just talk about their lives and play music, a soundtrack laid over a view of rural life in East and South Texas in the sixties and seventies.
A court ruled in favour of the group, and whilst the movie awaits a new rating it can no longer be shown anywhere in France.
The title of this film itself was the main challenge for cinema owners, who must have been hesitant to advertise a film which utilises the equivalent of the F-Word in its name.
, it bothered me that in the ground rules, documentaries were explicitly ruled out.
Texas is extraordinarily rich territory for stories worth documenting, so in an effort to give some love to these types of films, I’ve come up with my own list of the ten best documentaries made in our state.
Although many of the first transsexual and openly transgender-identified people were trans men, the cinema, like newspapers and television, tended to focus on trans women, perhaps because the idea that people might voluntarily relinquish their male privilege mystified the men who controlled the western media.
After Ed Wood’s risible Glen or Glenda (1953), which took the fame of American transsexual woman Christine Jorgensen and turned it into a semi-autobiographical story about a man who liked angora sweaters, came Alfred Hitchcock’s Psycho (1960), based on Robert Bloch’s novel about serial killer Ed Gein, who killed over a dozen women and made a vest of their skins.
We now start moving into a more contentious era of French censorship.
Italian director Gillo Pontecorvo was at pains to show both sides of the French-Algerian conflict during the Algerian War of Independence, but the film was still labelled as an unfair depiction of the French forces.
Both serving and retired military officials in France put pressure on the film’s European distributors to not release it, and during its time on the banned list, it was even prevented from being screened at American army bases.